Thursday, June 27, 2024

Cumberland Saga: Author Brain-dump

One of the major reasons I am walking away from the Cumberland Saga is because of the issues on the horizon are issues I don't care to write about.

Bob

Miss Shannon's husband, Bob is coming back. How will he respond when he finds out that his wife invited four families to "squat" on their land. As a man of integrity, he will honor his wife's decisions, after all, she didn't know that he was on the verge of returning.

But what kind of man is he? Is he a micromanaging control-freak? Is he laid-back? What kind of background does he have that might help him adapt to the new reality? Will he be wise enough and flexible enough to know when to operate in line-control (like in the emergency room) and when circumstances demand that he function in a more collaborative fashion?

Governance

Copperhead Cove is a benevolent dictatorship. Sig is nominally in charge but he gets a lot of help from Roger, Alice and his wife Ellie.

What will the governance of Five Families look like? How will they manage conflicts? What if a family bails out? Do they own the property? Are they leasing it? Is there common property? How is it managed? 

To what degree do they specialize? They only need one bee-keeper. They only need a couple of people milking cows/goats/sheep. They only need a couple of people good a fishing. They only need one blacksmith, leather-worker, cheese-maker in the neighborhood.

Resource Base

What assets are likely to exist at Five Families (other than 10 acres of corn, another 10 of pasture and 10 of turnips/rape/clover and the pond)?

What kinds of animals would it be likely that Miss Shannon had? What kind of animals would be most desirable?

Relationship with neighbors

Five Families has more neighbors than Copperhead Cove. How to they interact with them? At least five of them also have ponds. Are they prepared to harvest them in a meaningful way? Do they have the knowledge? Do they have the equipment?

Relationship with Copperhead Cove

Could get sticky if CC considers Five Families to be their "little sister".

Internal commitment

How will the community respond when one of the adults decides they "don't want to keep playing the game" and wants to go back to Cincinnati or Savanna or Nashville or Huntsville or... Does the family that split-up lose their house?

Stragglers

How do Copperhead Cove and Five Families deal with stragglers? Does Five Families have to go through the same learning experiences that CC did or will they avoid making the same mistakes? Probably depends on if Gregor and Rosa draw long-straws and are at Five Families.

"Abandoned properties"

Some of the properties in the neighborhood are vacant because the owners were trapped in a city or in California or in Spain or someplace else or maybe they died. What are the "rules" for squatting in a house that appears to be abandoned? What degree of proof will be required to boot-out the squatter when somebody who claims to be the owner shows up? Does Canina make the rules? She has to enforce them. The U.S. Homesteading Act required that the person on the property had to IMPROVE it to make their claim. Would she know that or is it obvious enough that it will occur to her? 

Can the 'squatter' stay as long as they are maintaining and improving the property but must leave if they are destroying or not caring for it? If they are maintaining/improving then they are care-takers or stewards (a Biblical term) rather than 'squatters' or 'interlopers' or 'usurpers'.

Prequel

How did Sarah's first husband really die? Was it really a suicide? How did an oil-barrel show up in the middle of the woods? What crime or sin could he have been guilty of where somebody staged a suicide as a way to resolve the issue without outside scrutiny? Who (perhaps plural) in Copperhead Cove would have the iron-will to do the deed and the ability to keep his/their mouths shut?

My resistance to writing about those things

There is no, single, "right answer" to most of these dramatic tensions because the primary resource at this time became the collection of people. What will be optimal for one, random collection of people could be a total disaster for a different collection of people.

I am very comfortable throwing a stake into the ground about how many square-feet of ground is a reasonable "first guess" for the amount of corn, potatoes and onions that needs to be planted, per-person, east of the Missouri River. People...well, that is a crap-shoot.

In fiction it is way too easy to make "too many" of your characters unbelievably good and virtuous...or too base and self-centered. Most of us are a mix of both and we choose which persona we wear based on external cues. Really good writing is difficult because it is SO EASY to just narrate those cues and those internal thoughts and EXCEPTIONALLY DIFFICULT to "show" those cues via dialog and description to the degree where the reader anticipates what the character will decide or do.

15 comments:

  1. I'm gonna miss Amira
    Alan E.

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  2. ERJ: your many excellent questions demand an Encyclopedia of How to Cope When SHTF. Or something. Like the Firefox series, sorta.

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  3. It 'feels' like you are trying to encompass everything at once. While that may be the way that things happen in real life, they do not have to happen that way in fiction.

    Not being great with names, I am frequently going back and looking where a character first entered into play to better understand how or why they fit into the next scenario.

    It is impossible to keep up with all current events in life let alone write about all possible current events happening in a fictional story.

    What I am trying to say is I really like your stories. Please don't put so much pressure on yourself, trying to incorporate everything, that you stop writing.

    sam

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  4. I have really enjoyed the story. I understand your need to wrap it up. However I am sorry to see it end.

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  5. As I said last posting, an excellent story and you are wise to close it out on a high note.

    Ditto what Solarman said. But any good book ends and a successful writer makes the reader a bit sad it's done.

    Very deep thinking was shown in the story, and I am grateful you addressed many of the real life(tm) factors in this backstory closure posting.

    That old book
    Basic
    Instructions
    Before
    Leaving
    Earth

    Is full of human interactions in bad times, good times, times of plenty and times of want.

    Not a bad basis for future troubles, eh?

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  6. It’s a fine story.
    And it’s over, because it had to end somewhere. I find that I write because I can’t NOT write.
    Start another fine story.

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  7. I also enjoyed reading this series (and the comments made about that installment) very much. One regret - I wish more details about Amira's 'Requirements' had more discussion. That is made available at all was a positive part of the story.

    Thank you sir for a great read. Well earned rest - take the weekend off why don't you. 8^)

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  8. Great story Joe. Victor Davis Hanson has a interview where he describes how fifty people lived on his grandfathers farm in the 1930s. They were all hard working swedes. Woody

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  9. ERJ, your concerns are indeed a dilemma for writers. On the one hand, we probably write best with what we know and enjoy and feel comfortable in (or researching). On the other hand, life is not a linear line. Individuals are impacted by outside events (some of which you have written of above ) which would seem to need to be included or ignored at the peril of the story. In our "real" lives, we take a lot of this for granted as it does not directly impact us; on the level of a society in collapse, almost everything does.

    I suspect writers have three ways of dealing with it. The first is simply to bring the story to a conclusion - lots of people do it because they are really just writing about a specific event or adventure - if you think about it, a story meets the classic definition of a project, a temporary endeavor to create a product or service with a defined scope and clear beginning and ending date. The second is to find other ways to write about it - via different points of view, different time points, etc. These can be satisfying, or they can just be soft retells of the same narrative (in the Edgar Rice Burrough's series John Carter of Mars, most of the books not involving John Carter have heroes that act a lot like John Carter). The third is simply to refine the narrative and accept that some things will not be dealt with and other things will be focused on, the assumption being that these things "are happening in the background" just like normal activities happen in our background.

    It was a great ride. Thank you for your generosity in sharing your talent.

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  10. Enjoyed the story, sad to see it go. The thing about characters is sometimes they develop their own story line that isn't what the author originally planned, that is the story takes on a life of its own. Keep up the good work, you may find yourself writing a sequel.

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  11. I have enjoyed the story, the little personality and the larger culture conflicts. Your vision, you can do what you like with that world.

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  12. Is it difficult for you to let go of any of the characters at the end?

    Noticed that Amira’s name pops up fairly often. She was a compelling character. Her experience was hard won, yet her sons fit the mold of average Americans their age. She’d somehow not transferred her world view or knowledge to them. In that way, you didn’t portray her as a one dimensional character.

    I personally found her intriguing from her first appearance

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  13. We live on a farm. A farm that doesn't produce anything any more than a 1/2 acre garden provides for two old people. Yet I have extended family , friends and extended friends [?] that seem to think I can provide for them when TSHTF and do not prepare for themselves. Your story touched on this but it is now a major concern for us. I can only hope that when it happens, which I am sure it will, that they won't be able to get here. --ken

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    Replies
    1. One way to handle that with integrity is to give them a list of what the MUST show up with if want to make a valid claim on your hospitality. It should be enough "stuff" that the crew can make it to the next harvest without starving.

      A bare-bones packing list would be for each person:
      200 pounds of white rice
      200 pounds of white bread-flour
      50 pounds of pinto beans
      25 pounds of dried lentils
      50 pounds of salt
      50 pounds of vegetable oil
      Enough coffee or tea for two years of consumption
      500 acetaminophen tablets and 500 multivitamins
      10 pounds of seed-corn with a maturity suitable for your climate
      20 pounds of rye, wheat or oats or other small grains suitable for your climate
      1.0 ounces each of rutabaga, turnip, carrot and onion seeds
      2.5 gallons 41% glyphosate concentrate
      Rotary tiller and 20 gallons of stabilized gas and 2 gallons of lubricating oil and a spare V belt per family group
      Paper copies of the Bible, Pilgrim's Progress, Declaration of Independence, the US Constitution
      Fishing tackle
      6 110 and 160 body-grip traps.
      500 rounds of .22LR
      ...and so on...
      Even Jesus didn't perform miracles unless the person requesting the favor brought something to the party. Except for one guy who he knocked off of a horse with lightning.

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  14. Great list !! Thanks I'll copy it and pass it on. I've told them " you better have a years worth of food with you". This makes a good list. Except they need a bit more ammo...---ken

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